In a recent video, American commentator Candace Owens made explosive claims about Blake Lively and Taylor Swift, suggesting they leveraged their connections to bring down actor and director Justin Baldoni. Owens pointed to the involvement of renowned journalists Ronan Farrow and Megan Twohey, who are credited with spearheading the #MeToo movement, in what she describes as a coordinated effort to damage Baldoni’s reputation.
The Allegations Against Blake Lively and Taylor Swift
Owens’ theory centers on a December 21 article published in The New York Times, written by Megan Twohey, which detailed allegations made by Blake Lively against Justin Baldoni. Owens claims that Lively used her close friendship with Taylor Swift to enlist the help of Ronan Farrow and Twohey in crafting a “take-down” piece against Baldoni.
According to Owens, the article was part of a larger plan to “bring down” Baldoni, who has since filed a $250 million lawsuit against The New York Times for promissory fraud. Owens also criticized the #MeToo movement, arguing that it often bypasses due process and has destroyed lives based on allegations alone.
The Role of Ronan Farrow and Megan Twohey
Ronan Farrow and Megan Twohey are widely recognized for their investigative journalism that exposed Harvey Weinstein’s sexual misconduct, a pivotal moment in the #MeToo movement. Owens’ claims suggest that their involvement in Lively’s case against Baldoni raises questions about the use of their influence in high-profile disputes.
Farrow and Twohey have not publicly commented on Owens’ allegations. However, their work has long been associated with holding powerful figures accountable, making their alleged involvement in this case particularly controversial.
Taylor Swift’s Involvement in the Legal Battle
Taylor Swift may not be directly involved in the lawsuit, but her name has surfaced multiple times throughout the legal filings, drawing attention to her close relationship with Blake Lively .
Mention in Lively’s Complaint
In her December 20, 2024 complaint filed with the California Civil Rights Department , Lively accused Baldoni’s publicist, Melissa Nathan , of creating a “scenario planning document” designed to discredit her. The document allegedly referenced Swift, suggesting that her friendship with Lively could be used against her:
“TAG [Baldoni’s PR firm] could ‘also explore planting stories about the weaponization of feminism and how people in [Lively’s] circle like Taylor Swift, have been accused of utilizing these tactics to ‘bully’ into getting what they want.’”
Additionally, the complaint included an alleged message from Nathan discussing Swift’s massive fanbase, known as Swifties :
“We have seen the most innocuous issues turn giant due to socials or the hugest crisis have no effects on social whatsoever—you just cannot tell at this stage. But, [Lively] does have some of the [Swift] fanbase so we will be taking it extremely seriously.”
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Mention in Baldoni’s $400 Million Lawsuit
Justin Baldoni also brought up Swift in his $400 million lawsuit against Lively, Reynolds, and their publicist, Leslie Sloane . He claimed that Swift and Reynolds pressured him to accept a rewritten scene in It Ends With Us .
According to Baldoni, Lively asked to rewrite the rooftop scene where their characters first meet. After initially resisting, Baldoni claimed he was summoned to Lively and Reynolds’ NYC penthouse, where Swift allegedly joined in pressuring him to approve the changes. Baldoni included an alleged text from Lively referencing Swift and Reynolds:
“If you ever get around to watching Game Of Thrones, you’ll appreciate that I’m Khaleesi, and like her, I happen to have a few dragons. For better or worse, but usually for better. Because my dragons also protect those I fight for. So really, we all benefit from those gorgeous monsters of mine. You will too, I can promise you.”
Baldoni interpreted the “dragons” as a metaphor for Swift and Reynolds, who he claims were instrumental in pushing for the rewrite.
The Friendship Between Taylor Swift and Blake Lively
The bond between Taylor Swift and Blake Lively is well-documented. Swift serves as the godmother to Lively’s daughters, and one of Lively’s children even provided vocals for Swift’s 2017 hit “Gorgeous” from the album Reputation . Additionally, Swift contributed the track “My Tears Ricochet” to the official soundtrack of It Ends With Us , further highlighting their collaborative dynamic.
Despite her prominent ties to the project and her friend, Swift has yet to publicly comment on the legal battle between Lively and Baldoni.
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Justin Baldoni’s Countersuit and Allegations Against Lively, Reynolds, and Swift
In response to Lively’s lawsuit, Justin Baldoni filed a $400 million countersuit against Blake Lively, her husband Ryan Reynolds, and their publicist, Leslie Sloane. Baldoni’s lawsuit includes claims that Swift and Reynolds pressured him to accept a rewritten scene in his 2024 film, It Ends With Us.
Baldoni, who directed the film, alleged that Lively requested to rewrite a pivotal rooftop scene where their characters first meet. While he initially resisted, Baldoni claimed he was “summoned” to Lively and Reynolds’ New York City penthouse, where Reynolds and Swift allegedly pressured him to accept Lively’s version of the scene.
Text messages included in the lawsuit reportedly show Lively comparing herself to Game of Thrones character Khaleesi, stating, “I happen to have a few dragons,” which Baldoni interpreted as references to Reynolds and Swift.
The Broader Implications of the Case
The legal battle between Blake Lively and Justin Baldoni has sparked widespread debate about the influence of celebrities and journalists in high-stakes disputes. Owens’ allegations have added fuel to the fire, raising questions about the ethics of leveraging personal connections and media influence to achieve personal or professional goals.
As the case unfolds, the involvement of high-profile figures like Taylor Swift, Ryan Reynolds, and journalists Ronan Farrow and Megan Twohey continues to draw attention. Both sides have yet to fully present their evidence, leaving the public to speculate about the truth behind the allegations.